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The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters-for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century.The book draws on a vast range of sources-from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed-and how even the ashes of the victims of the Holocaust have been preserved in culture.A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history.Some images inside the book are unavailable due to digital copyright restrictions.

Death --- Funeral rites and ceremonies --- Social aspects

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This volume is dedicated to the examination of a small corpus of bronze U-shaped burial receptacles from ancient Mesopotamia and Elam, dubbed 'bathtub' coffins for their characteristic apsidal shape, reminiscent of a style of 19th and early 20th century bathtub.

Funeral rites and ceremonies, Ancient. --- Ancient funeral rites and ceremonies --- Sarcophages antiques. --- Sarcophagi --- Cercueils --- Coffins

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The forms by which a deceased person may be brought to rest are as many as there are causes of death. In most societies the disposal of the corpse is accompanied by some form of celebration or ritual which may range from a simple act of deportment in solitude to the engagement of large masses of people in laborious and creative festivities. In a funerary context the term ritual may be taken to represent a process that incorporates all the actions performed and thoughts expressed in connection with a dying and dead person, from the preparatory pre-death stages to the final deposition of the corpse and the post-mortem stages of grief and commemoration. The contributions presented here are focused not on the examination of different funerary practices, their function and meaning, but on the changes of such rituals – how and when they occurred and how they may be explained. Based on case studies from a range of geographical regions and from different prehistoric and historical periods, a range of key themes are examined concerning belief and ritual, body and deposition, place, performance and commemoration, exploring a complex web of practices.

Funeral rites and ceremonies, Ancient. --- Ancient funeral rites and ceremonies --- Funérailles --- Rites et cérémonies --- Histoire --- Funeral rites and ceremonies, Ancient

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"No city in America knows how to mark death with more funerary panache than New Orleans. The pageants commemorating departed citizens are often in themselves works of performance art. A grand obituary remains key to this Stygian passage. And no one writes them like New Orleanian John Pope. Collected here are not just simple, mindless recitations of schools and workplaces, marriages, and mourners bereft. These pieces in Getting Off at Elysian Fields are full-blooded life stories with accounts of great achievements, dubious dabblings, unavoidable foibles, relationships gone sour, and happenstances that turn out to be life-changing. To be sure, there are stories about Carnival monarchs, great philanthropists, and a few politicians. But because New Orleans embraces eccentric behavior, there are stories of people who colored way outside the lines. For instance, there was the doctor who used his plasma to make his flowers grow, and the philanthropist who took money she had put aside for a fur coat to underwrite the lawsuit that desegregated Tulane University. A letter carrier everyone loved turned out to have been a spy during World War II, and a fledgling lawyer changed his lifelong thoughts about race when he saw blind people going into a Christmas party through separate doors--one for white people and another for African Americans. Then there was the punctilious judge who got down on his hands and knees to edge his lawn--with scissors.Because New Orleans funerals are distinctive, the author includes accounts of four that he covered, complete with soulful singing and even some dancing. As a popular, local bumper sticker indisputably declares, 'New Orleans--We Put the Fun in Funeral'"--

Obituaries --- Funeral rites and ceremonies --- New Orleans (La.) --- Social life and customs

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Les rites funéraires entourant la mort du pontife sont analysés au cours de l'histoire, afin d'y déceler les composantes liturgiques, de décrypter ce qu'ils révèlent des moeurs des différentes époques et de relever leurs paradoxes. La variété des rituels ou au contraire l'absence de codification sont mises en évidence. ©Electre 2015

Papacy --- Funeral rites and ceremonies --- Papes --- Funérailles --- History. --- History --- Histoire --- Rites et cérémonies --- Histoire